By spontaneously fusing fragments of fleeting conversations, news reports and random encounters, Norwegian artist Per Dybvig (b. 1964, Stavanger) creates dense drawings rooted in his immediate surroundings and in the ongoing and ever-fluctuating stream of information.

For this particular series, Dybvig chose to inhabit New York City to capture American culture and social behavior as it is portrayed in the media and the public eye.

Per Dybvig is an artist and illustrator who currently lives and works in Stavanger, Norway. He has been included in a number of museum shows—most recently at the Lillehammer Art Museum and The Stenersen Museum, both in Oslo, Norway. His works are in several public collections in Norway: the National Gallery in Oslo, the Rogaland Museum of Fine Arts in Stavanger and the Arts Council Norway.

Throughout his career, Vincent van Gogh (Dutch, 1853–1890) attempted the paradoxical task of representing night by light. The exhibition Van Gogh and the Colors of the Night seeks to present new insight into Van Gogh's depictions of night landscapes, interior scenes, and the effects of both gaslight and natural light on their surroundings. Representing all periods of the artist's career, the exhibition comprises over two dozen works of which have never been seen together. This exhibition will be shown at the Van Gogh Museum in Amsterdam, February 13–June 7, 2009. The show is accompanied by a fully illustrated catalogue.

Please note: Gallery occupancy is limited and timed entry is necessary to visit this exhibition.

The exhibition at The Jewish Museum includes six Dead Sea Scrolls.  These fragments of parchment documents consist of the Book of Jeremiah (225-175 BCE), one of the earliest copies of the Hebrew Bible in existence; an early example of prayers from the Words of the Luminaries; the Book of Tobit, a Jewish text that was not included in the Hebrew canon but later accepted into some versions of the Christian Old Testament (Roman Catholic and Greek Orthodox); the Aramaic Apocryphon of Daniel, which mentions a son of God; the Community Rule, which lays out the regulations for joining and being a member of a sect; and the War Rule, which describes a great war at the end of days. Each represents an aspect of the diverse religious milieu in which they were created more than 2,000 years ago. In an adjoining gallery, visitors will learn that scholars still do not agree about the origins and meaning of the scrolls decades after their discovery.

The Dead Sea Scrolls date from the late third century BCE through the first century CE. The texts consist of biblical books and commentary, poetry and prayers, and the communal rules and writings of one or more dissident Jewish religious groups.  The scrolls were in use during a period of successive political upheavals, from the Maccabean revolt for Jewish independence to the reign of King Herod to the Roman destruction of Jerusalem and its Temple in 70 CE.  This was also a time that saw the development of two religions – early Judaism and Christianity.

At some point in the first century CE, the people who treasured these scrolls placed them in eleven caves along a five-mile stretch of cliffs in the barren Judean Desert, close to the Dead Sea.  Nearby was a small settlement at Khirbet Qumran, inhabited from the late second century BCE to the first century CE. No one returned to collect the scrolls from the caves, and they lay there undisturbed until their discovery in 1947.

Scholars have two basic theories about who used the scrolls. The first posits that the scrolls all belonged to a single religious sect that probably lived at the settlement of Qumran.  Most scholars identify this group as the Essenes described in the writings of ancient historians, although other groups such as the Sadducees and even proto-Christians have been proposed.

The second theory proposes that the scrolls were a random collection of texts reflecting the beliefs of many Jewish groups of the period. They represented either a single priestly repository or public library, or the sacred texts of various Jewish communities from Jerusalem and elsewhere in the Land of Israel. During the Jewish revolt against Rome beginning in 68 CE, refugees from further north hid their precious texts in the Dead Sea caves. This hypothesis holds that there is no connection between the scrolls and the settlement at Qumran, and that the site was a fortress, a villa, a farm, an industrial site, or a commercial center.

Some scholars remain cautious about adopting either theory, and await more information from new publications of the scrolls and the Qumran excavations.

Still other scholars remain cautious about adopting either theory, and await more information from new publications of the scrolls and the Qumran excavations. The display also includes some artifacts from the site of Qumran and its vicinity. A jar and linen wrapper that protected the scrolls, the earliest phylacteries, dishes and vessels, and objects of daily life such as sandals, hairnets, and combs will illuminate the current scholarly debates over who used and who hid the scrolls.

According to the press release, Susan L. Braunstein, Curator of Archaeology and Judaica, selected texts that illustrate the diversity and transformations in Judaism during the Second Temple Period, when the written word and prayer were rivaling sacrifice in worship, as well as early Christianity’s connections to Judaism. The exhibition was created by the Israel Antiquities Authority from the collections of the National Treasures.

This exhibition of gold and silver jewelry, tableware, and rare coins, all  from the Medieval period, is culled from a personal Jewish treasure hoard uncovered in Erfurt, Germany.  The 167 objects offer a glimpse into Jewish life and culture in medieval Europe before the Black Death and anti-Semitic violence decimated this small but thriving population in 1349.

Located approximately 70 miles southwest of Kassel, Erfurt is the capital city of the central German state of Thuringia. For centuries Erfurt served as a historical center of Ashkenazim, the Jewish communities that originated along the Rhine River in Germany and later emigrated to Eastern Europe and throughout the Diaspora. According to Yeshiva University Museum in New York, over 85 percent of American Jews can trace their ancestral roots to this group of Jews. In 1998, a team of archaeologists made an unexpected discovery during an excavation on Michaelisstrasse in the medieval Jewish quarter of the city. Carefully hidden under the wall of a private home’s stone cellar was a personal treasure hoard containing over 3,000 silver coins, 14 silver ingots and over 600 pieces of jewelry. Jewish merchants and moneylenders often buried their wealth because of the Black Death and other persecutions.  

Exhibition highlights include a hand-crafted gold Jewish wedding ring (left) from the early 14th century, one of few medieval Ashkenazi wedding rings in existence. Well-preserved artifacts from this period are extremely rare, as jewelry was often melted down when it was deemed out of style. This ring features an ornate, miniature version of a gothic tower and six engraved Hebrew letters spelling out mazal tov, meaning “good luck,” written on the tower’s roof. Scholars have interpreted the tower as symbolizing the Temple of Jerusalem, destroyed by the Romans in 70 CE.  Jewish tradition still mandates that wedding bands be made of plain gold without the addition of stones. Silver double cups housed the jewelry found in the treasure and are noteworthy for their colorful enameled images from Aesop’s fables of The Fox and the Eagle and The Fox and the Raven. 

The exhibition features ten new paintings from Kehinde Wiley’s multinational “World Stage” series, a global extension of his signature examinations of power and portraiture.

For this ongoing series, Wiley relocates to other countries and opens satellite studios to become familiar with local culture and history and include them in his practice. The paintings in The World Stage: Africa, Lagos ~ Dakar were created during Wiley’s extended visits to Nigeria and Senegal in 2007, where he found new subjects, inspirations and insights.

Wiley’s well-known, stylized paintings of urban African-American male youths started during his residency at the Studio Museum. He placed his subjects in poses borrowed from eighteenth- and nineteenth-century European figurative paintings to investigate the ways that portraiture has been used historically to create and enforce power and privilege.

For the “World Stage” series Wiley continues to paint young black men, but uses poses based on regional sources. Paintings from the first “World Stage” site, China, featured poses from Communist propaganda art, and were shown in an exhibition at the John Michael Kohler Arts Center in Wisconsin last year. For The World Stage: Africa, Lagos ~ Dakar Wiley turns to public monuments built to celebrate independence and the end of colonialism. Future sites for the series include Brazil and Turkey.

The exhibition is accompanied by a full-color hardcover catalogue, the second in a series of catalogues about the “World Stage” series. The catalogue includes essays by scholars Robert Hobbs, Tavia Nyong’o and Krista Thompson, as well as a conversation between curator Christine Y. Kim, Wiley and artist/writer/performer Malik Gaines.

Kehinde Wiley (b. 1977, Los Angeles) received a BFA from the San Francisco Art Institute in 1999 and an MFA from the Yale School of Art in 2001. His work is represented in the collections of several museums, including the the Walker Art Center, Brooklyn Museum, Denver Art Museum and Virginia Museum of Fine Art. Recently, his work was featured in exhibitions in Belgium, Los Angeles, Chicago and Ohio.

A national hands-on exhibition for children ages 6 and older.

Budding archaeologists can visit the Temple of Zeus at Olympia and assist in the reconstruction of a 3-D temple, learn about column construction, sculptures, and the giant statue of Zeus (one of the Seven Wonders of the Ancient World).

The tour guides are the great gods Zeus, Poseidon and Athena who reminisce about their powers and responsibilities. Visitors can also climb inside a 12½ foot tall Trojan Horse before stepping into Homer’s great epic poem, The Odyssey. Plus, visitors explore actual examples of ancient Greek artifacts: painted pottery, coins, votives, drinking cups, loom weights, arrowheads and sling bullets.

A fusion of ballet, modern and Latin dance shapes a spirited image of the contemporary Hispanic world.

Ballet Hispanico premieres an exploration of Carmen — a trio adaptation choreographed by Carlos Sierra-Lopez.

This retrospective of Duncan’s 20-year career features approximately 400 photographs and includes his iconic images of Mikhail Baryshnikov, Eartha Kitt, Angela Lansbury, Peter Martins, Bette Midler, the cast of Hair, as well as selections of his nudes, his fashion portfolios, and his work with hundreds of celebrities including shock rock legend Alice Cooper, Al Pacino, and Christopher Walken.

Kenn Duncan (1928-1986) was born in New Jersey and became a roller-skating champion at an early age. In order to perfect his form, he took ballet lessons and eventually abandoned skating for a dance career. The injury that put an end to his dancing career set him on a new course that eventually won him international acclaim as a portrait and fashion photographer. Duncan was a prominent force in the photography world of the late 1960s through the early 1980s, notably as a principal photographer for the entertainment magazine After Dark and for Dance Magazine, which chronicled the world of dance and choreography.Photographs by Kenn Duncan also appeared in Vogue,Harper’s Bazaar, Life, Time, and Newsweek. He was photographer for such performers as Peter Allen, Carol Channing, Judith Jamison, Eartha Kitt, Bernadette Peters, Christopher Plummer, Chita Rivera, Tommy Tune and Twiggy, and for leading dance companies such as the Alvin Ailey American Dance Theater, American Ballet Theatre, the Bolshoi Ballet, and the Paul Taylor Dance Company. 

Duncan published three volumes of his own photographs: Red Shoes, Nudes, and More Nudes.

A protégé of the legendary jazz master Dizzy Gillespie, Arturo Sandoval was born in Artemisa, a small town in the outskirts of Havana, Cuba, on November 6, 1949, just two years after Gillespie became the first musician to bring Latin influences into American Jazz. Sandoval began studying classical trumpet at the age of twelve, but it didn’t take him long to catch the excitement of the jazz world. He has since evolved into one of the World’s most acknowledged guardians of jazz trumpet and flugelhorn, as well as a renowned classical artist. 

Sandoval was a founding member of the Grammy Award-winning group Irakere, whose explosive mixture of jazz, classical, rock and traditional Cuban music caused a sensation throughout the entertainment world. In 1981, he left Irakere to form his own band, which garnered enthusiastic praise from critics and audiences all over the world. Sandoval was voted Cuba’s Best Instrumentalist from 1982 to 1990.

Since his arrival to the United States, Arturo Sandoval has recorded seven albums as a soloist, six of which are jazz, Latin jazz, and one classical album. In 2000, HBO produced a movie about his life with Andy Garcia in the role of Mr. Sandoval entitled For Love or Country. Arturo won an Emmy for his music in the film.

Arturo Sandoval World Tour
Robert Rodriguez, Dennis Marks, Samuel Torres, Felipe Luis LaMoglia, Ernesto Simpson

Dana Gioia, Chairman of the National Endowment for the Arts, invites the public to participate in a forum on the future of jazz, jazz education, and jazz audiences.

Panelists will include:
Dr. David Baker, NEA Jazz Master
Dr. Billy Taylor, NEA Jazz Master
Adrian Ellis, Executive Director, Jazz at Lincoln Center
Nicole Mitchell, flutist and composer
Loren Schoenberg, Executive Director, The National Jazz Museum in Harlem
Helen Sung, pianist and composer

Moderated by A.B. Spellman, author, poet, and critic

This symposium launches the 2009 NEA Jazz Masters celebration, taking place in partnership with Jazz at Lincoln Center. The event is free, however, a RSVP should be sent to the e-mail address below by 10 October. 

John adams: Doctor Atomic

First seen and heard in Amsterdam at the Holland Festival and then at the San Francisco Opera, this new opera by John Adams and Peter Sellars about the development of the first atomic bomb. Renewed cooperation between Adams and Sellars after Nixon in China and The Death of Klinghoffer.  Director Penny Woolcock makes her Met debut.

Conductor: Alan Gilbert
Kitty Oppenheimer: Sasha Cooke
Pasqualita: Meredith Arwady
J. Robert Oppenheimer: Gerald Finley
Edward Teller: Richard Paul Fink
General Leslie Groves: Eric Owens

Production: Penny Woolcock
Set Designer: Julian Crouch
Costume Designer: Catherine Zuber

13, 18, 21, 25, 30 October 2008, 8:00 pm

1, 5, 8, 13 November 2008, 8:00 pm

Richard Strauss: Salome
Libretto: Hedwig Lachmann after Oscar Wilde

Salome: Karita Mattila
Herodias: Ildikó Komlósi
Herod: Kim Begley
Narraboth: Joseph Kaiser
Jokanaan: Juha Uusitalo

Patrick Summers, conductor

Production: Jürgen Flimm
Set & Costume Designer: Santo Loquasto
Lighting Designer: James F. Ingalls
Choreographer: Doug Varone

Lykke Li is a 21 year old girl from Stockholm, Sweden. Just released her debut EP "Little Bit" over there to great success. Swedish media have had a hard time describing her: from singer songwriter and soul to electro and electro pop - and name dropping Feist, Beth Gibbons, Joni Mitchell, Alicia Keys, Lily Allen, Vanessa Paradis.

Show also includes Friendly Fires / Miles Benjamin Anthony Robinson / Micachu. 

Janet Jackson, with over 100 million albums sold, countless hit singles, awards and accolades, brings her Rock Witchu tour to Madison Square Garden. This is Jackson's first tour in over seven years and features the hit songs and dance routines.

LL Cool J is the special guest for the evening.

Gregory Burke: Black Watch
John Tiffany, director

Black Watch follows the disassembling of Scotland's most esteemed regiment over the course of its final tour in Iraq, written from the personal testimonies of ten men on the ground. Black Watch reveals what it really means to be part of the War on Terror and what it means to make the journey home again.

Kristin Scott Thomas reprises her Olivier Award-winning role of Arkadina in the critically acclaimed Royal Court Theatre production of Anton Chekhov's The Seagull. The production, featuring a new version by Christopher Hampton, is directed by Ian Rickson. The play concerns the romantic entanglements and regrets of a group of actors, writers and artists gathered on a Russian estate. One of the theatre's great plays about writing, The Seagull conveys the struggle for new forms and the frustrations and fulfillment of putting words on a page.

Starring
Kristin Scott-Thomas as Arkadina
Peter Sarsgaard as Trigorin
Mackenzie Crook as Konstantin
Art Malik as Dorn
Carey Mulligan as Nina
Pearce Quigley as Medvedenko
Peter Wight as Sorin
Zoe Kazan as Masha
Christopher Patrick Nolan as Yakov
Mary Rose as Maid

Walter Kerr Theater
219 W 48th St
New York, NY 10036

Vineyard Theatre & Workshop
108 E 15th St
New York, NY 10003

According to the Museum at FIT Gothic: Dark Glamour is the first exhibition devoted to the gothic style in fashion. Set in a dramatic mise-en-scene suggesting iconic gothic settings, such as the labyrinth, the ruined castle, and the laboratory, more than 75 ensembles will be on display. Fashion designers featured include Alexander McQueen, Ann Demeulemeester, Boudicca, Comme des Garçons, Karl Lagerfeld for Chanel Haute Couture, John Galliano for Christian Dior, Jean Paul Gaultier, Hussein Chalayan, Francisco Costa for Calvin Klein, Christian Lacroix, Derek Lam, Gareth Pugh, Kei Kagami, Riccardo Tisci for Givenchy, Thierry Mugler, Rick Owens, Rodarte, Anna Sui, Olivier Theyskens, Jun Takahashi of Undercover, and Yohji Yamamoto.

Also on display will be a range of subcultural styles, such as “old-school goth” (associated with the heyday of the goth subculture, 1979-83), Victorian-style goth, industrial, steam punk, and cyber-goth, by designers such as Kambriel, Morphius and Plastik Wrap, as well as Japanese Elegant Gothic Lolitas by Tokyo-based brands Moi-Même-Moité and h.Naoto Blood.

Related public events include a Goth Talk panel discussion on October 30 (with speakers including Fred H. Berger, editor of Propaganda, Mistress McCutchan, and Evan Michelson of Obscura), gallery readings of Bram Stoker and Edgar Allan Poe gothic classics, exhibition tours, and more. The program series will culminate in the museum’s annual Fashion Symposium on February 13-14, 2009, which takes as its theme Subculture and Style. Internationally recognized scholars, curators, and designers will gather at the symposium to discuss the gothic influence on fashion and visual culture, as well as goth, punk, hip-hop, and other music-oriented youth styles.

This retrospective of Duncan’s 20-year career features approximately 400 photographs and includes his iconic images of Mikhail Baryshnikov, Eartha Kitt, Angela Lansbury, Peter Martins, Bette Midler, the cast of Hair, as well as selections of his nudes, his fashion portfolios, and his work with hundreds of celebrities including shock rock legend Alice Cooper, Al Pacino, and Christopher Walken.

Kenn Duncan (1928-1986) was born in New Jersey and became a roller-skating champion at an early age. In order to perfect his form, he took ballet lessons and eventually abandoned skating for a dance career. The injury that put an end to his dancing career set him on a new course that eventually won him international acclaim as a portrait and fashion photographer. Duncan was a prominent force in the photography world of the late 1960s through the early 1980s, notably as a principal photographer for the entertainment magazine After Dark and for Dance Magazine, which chronicled the world of dance and choreography.Photographs by Kenn Duncan also appeared in Vogue,Harper’s Bazaar, Life, Time, and Newsweek. He was photographer for such performers as Peter Allen, Carol Channing, Judith Jamison, Eartha Kitt, Bernadette Peters, Christopher Plummer, Chita Rivera, Tommy Tune and Twiggy, and for leading dance companies such as the Alvin Ailey American Dance Theater, American Ballet Theatre, the Bolshoi Ballet, and the Paul Taylor Dance Company. 

Duncan published three volumes of his own photographs: Red Shoes, Nudes, and More Nudes.

Coinciding with the 2008 election and providing insight into New York’s often pivotal role in American electoral politics, Campaigning for President:  New York and the American Election covers presidential politics from the inauguration of George Washington on lower Manhattan’s Wall Street, to the current volatile and unpredictable campaign.

The show features selections from the nation's largest and most comprehensive collection of campaign artifacts alongside objects from the Museum’s collection, notably selections from a monumental, 1.25 million artifact collection amassed by Jordan Wright, a media entrepreneur and devotee of American politics who died on 11 May at his home in Atlantic Beach, New York at the age of 50. His collection reveals not only the key platforms of particular candidates, but also the subtle and not-so-subtle strategies employed by vote-seekers.  Wright's collection forms the basis of the Museum of Democracy and is richly portrayed in a book titled Campaigning for President (available in the Museum’s shop).  Highly expressive buttons, banners, posters, hats, dresses, and other campaign materials on view highlight the role of visual propaganda in the electoral process (especially from times when many voters were illiterate).  Collectively they reveal the underpinnings of today’s mass-media campaigns, demonstrating that U. S. politics has for centuries been characterized by sloganeering, promissory mantra-making, and abundant, often gleefully vicious mud-slinging, which prevails from the 19th century through today.

On view are examples of alternately inspiring, thought-provoking, scandalous, hilarious, and plain-old corny campaign huckstering, including (among many others):

 - a poster lampooning “King Andrew” that asks the question: shall Andrew Jackson “reign over us, or shall the people rule?”
a translation of Abraham Lincoln and Aesop’s Fables into the Santee Sioux language

 - mechanical “nose-thumbers” produced for James Garfield’s campaign
a one-of-a-kind porcelain and cloth doll depicting, when held upright, William McKinley, and when turned upside-down, an African-American baby, in vicious response to accusations that the candidate had fathered an illegitimate black child

 - a cloth rose lapel pin bearing the likeness of Theodore Roosevelt an anti-Republican Party door hanger in the shape of a teapot, referencing President Warren Harding and the infamous Teapot Dome scandal

 - a campaign button with Socialist candidate Eugene Debs identified as “convict no. 9653”

 - Al Smith pins in the shape of his signature derby hat
a “negative-campaigning” poster for Thomas Dewey associating vice-presidential candidate Harry Truman with the Ku Klux Klan

 - “I Like Ike” socks

 - a paper mini-dress promoting Robert Kennedy

 - Good Humor Ice Cream wrappers promoting Richard M. Nixon (and John F. Kennedy)

 - a yarmulke promoting Al Gore and a Time magazine cover picturing him as President-elect

The award-winning gay rap opera Bash'd, created and performed by Chris Craddock and Nathan Cuckow in the charachters of Feminem & T-Bag, the show features music by Aaron Macri and is directed by Ron Jenkins.

Bash'd chronicles the tale of Jack and Dillon; two star-crossed lovers who must cope with the reality of hatred when one is brutally beaten. Fuelled by the increase of gay bashings that happened during Premier Ralph Klein's refusal to legalize gay marriage in Alberta, Canada, one of the lovers decides to reverse the discrimination and go out and bash innocent heterosexuals. It is told entirely through rap, spoken word and poetry, turning the often-homophobic musical genre on its ear. Even though the topic is serious, the musical is high energy, irreverent, and provocative. Bash'd was a smash hit at the 2007 Toronto International Fringe Festival.

Catholics in New York 1808-1946 explores the social and political history of the diverse group of people who established the formidable Catholic presence in New York.
The exhibition is organized around three central themes:

- How Catholic community life revolved around New York's parishes, starting with the earliest, such as St. Peter's, old St. Patrick's, and St. Brigid's in Manhattan, and the distinctive subculture that arose in their heavily Catholic neighborhoods;

- The creation of a vast system of health, education, and social welfare institutions, including parochial schools, the New York Foundling Hospital, and healthcare centers such as St. Vincent's Hospital in Manhattan and St. Mary’s Hospital in Brooklyn, originally founded by Catholics to provide services that embraced their religion and that would be insulated from anti-Catholic prejudice; and

- The rise of Catholics as a force in New York politics, framed by such New York figures as William R. Grace (1832-1904), the Irish-born businessman who in 1880 was elected the first Catholic mayor of New York City; Alfred E. Smith (1873-1944), the governor from the Lower East Side who became the first Catholic to be nominated by a major political party for President of the United States, in 1928; Vito Marcantonio (1902-1954), the Congressman and American Labor Party leader from East Harlem; and many others.

Woven throughout all three sections is how this "community of immigrants" defended its Catholic identity in response to widespread anti-Catholicism.  The exhibition begins with a prologue that looks at anti-Catholicism in the colonial period; it concludes with the implementation of the G.I. Bill, which paved the way to higher education, low-cost home mortgages, and ultimately the migration to the suburbs for many of New York’s Catholics, and with an epilogue that presents the new face of Catholic New York since World War II.

Highlights of the exhibition include:

- over 100  family photographs showing the diverse people of pre-war Catholic New York, collected through a massive outreach to New Yorkers conducted by Museum of the City of New York curatorial staff; also included will be parochial school report cards and yearbooks from the late 19th and early 20th centuries, sports uniforms and trophies, parish publications, and audio interviews with New Yorkers recalling their experiences growing up Catholic;

- documents related to the life of Pierre Toussaint (1766-1853), a former slave who supported church organization and whose charitable works have earned him consideration for sainthood;

- an original Test Book from the Emigrant Industrial Savings Bank, listing the name of Archbishop John Hughes (1797-1864) as one of the first depositors in 1850;

- a handwritten note from a Catholic mother who left her child with the New York Foundling Hospital in 1877.

Alfred Hitchcock meets Monty Python in this whodunit, part espionage thriller and part slapstick comedy, adapted for the stage from the famous film and novel. This production had its NYC premiere earlier this season by the Roundabout Theatre Company.

Cast: Arnie Burton, Charles Edwards, Jennifer Ferrin, Cliff Saunders

Adapted by Patrick Barlow
Maria Aitken, director
Sets: Peter McKintosh

Now in its first Broadway revival, South Pacific features  Kelli O'Hara (The Light in the Piazza) and baritone Paulo Szot in the leading roles with direction by Bartlett Sher (The Light in the Piazza and Awake and Sing).

Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Author, Tales of the South Pacific
James Michener

Cast:

Kelli O'Hara , Paulo Szot
Matthew Morrison , Danny Burstein , Loretta Ables Sayre , Sean Cullen , Victor Hawks , Luka Kain , Li Jun Li , Laurissa Romain , Skipp Sudduth , Noah Weisberg, Becca Ayers , Wendi Bergamini , Genson Blimline , Grady McLeod Bowman , Charlie Brady , Matt Caplan , Christian Carter , Helmar Augustus Cooper , Jeremy Davis , Margot De La Barre , Christian Delcroix , Laura Marie Duncan , Mike Evariste , Laura Griffith , Lisa Howard , Maryann Hu , Zachary James , Robert Lenzi , Garrett Long , Nick Mayo , George Merrick , William Michals , Kimber Monroe , Emily Morales , Darius Nichols , George Psomas , Andrew Samonsky , Jerold E. Solomon