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Travel Tip: Art and Archaeology in Germany
100 x Paul Klee



Paul Klee: <EM>Camel (in a rhythmic landscape of trees),</EM> 1920,43, 48 x 42 cmKunstsammlung Nordrhein-Westfalen, DüsseldorfPurchased 1966
Paul Klee: Camel (in a rhythmic landscape of trees), 1920,43, 48 x 42 cm
Kunstsammlung Nordrhein-Westfalen, Düsseldorf
Purchased 1966
100 x Paul Klee
GERMANY
DÜSSELDORF  •  Kunstsammlung NRW K21  •  Ongoing
 

The purchase in 1960 of 88 works by Paul Klee (1879 - 1940) by the Federal State of North Rhine-Westphalia furnished the impetus for founding the Kunstsammlung Nordrhein-Westfalen in Düsseldorf. Today, the Klee collection – which has grown to include 100 works – is one of the most comprehensive by this artist in Germany.

The focus of this exhibition is not exclusively on Klee’s creative achievement, but on the historical vicissitudes of these works of art as well. Klee began teaching at the Düsseldorf Art Academy in the early 1930s, and immigrated to Switzerland in late 1933 under pressure from the National Socialist dictatorship.

These paintings, drawings, and watercolors offer invaluable insights into the oeuvre of this remarkably multifaceted artist while providing a wide-ranging overview of Klee’s virtually inexhaustible creativity. Featured alongside works dating  from the turn of the 20th century and documenting his earliest beginnings as a graphic artist are those which reflect his experiences during the legendary trip to Tunisia in 1914. Precisely composed paintings dating from 1919 represent Klee’s adoption of oil  painting; the geometric-constructivist works were produced in connection with his teaching activities at the Bauhaus in  Weimar and Dessau. Drawings and oil paintings from the late periodic, finally, feature a cryptic, symbol-laden idiom. Klee also reflected with sensitivity and a razorsharp perspective on the events of his time, at the same time generating an artistic cosmos which synthesizes tragicomedy and irony, lightheartedness and gravity, playfulness and calculation.

The exhibition also fosters an understanding of Klee’s creative process through an examination of the fronts and backs of individual works: Klee accorded great importance to the materials he utilized, through which he aimed at very specific  effects. He gave his works special frames, thereby making it clear that he regarded them as objects. Also receiving attention is the collector through whose hands the greater part of the works in the Düsseldorf Klee Collection passed. Up   until the late 1950s, the US-American industrialist G. David Thompson assembled the collection before deciding –  astonishingly – to part with all of the works.



Kunstsammlung NRW Website


Contact:

K21 STÄNDEHAUS
Kunstsammlung Nordrhein-Westfalen
Ständehausstraße 1
40217 Düsseldorf


Tel: (49) 211 83 81 204

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